{"title":"Lewis Dalton Gilbert","description":"\u003cdiv\u003eLewis Dalton Gilbert is an independent curator and the creative director of \u003ca href=\"https:\/\/www.vibecalledtech.com\/\"\u003eA Vibe Called Tech\u003c\/a\u003e, a creative studio and art and design consultancy that approaches creativity through an intersectional lens.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFollowing his BA in Fine Art at Chelsea College of Art and Design, he coordinated and produced exhibitions and projects for White Cube and Frieze. He is currently associate curator at New Art Centre, where he previously served as creative director. In 2021, he curated the Hackney Windrush Art Commissions with Thomas J Price and Veronica Ryan OBE, for which Ryan won the Turner Prize.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eLewis curated the collection \u003cstrong\u003e'Greyscale': a\u003c\/strong\u003e\u003cstrong\u003e selection of works rich in double meaning, exploring the duality of life and revealing, both aesthetically and philosophically, that not everything is black and white.\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eProfile image by Vivek Vadoliya.\u003c\/span\u003e\n\u003c\/div\u003e","products":[{"product_id":"they-them-caryatid-re-framed","title":"They\/Them, Caryatid Re-Framed","description":"\u003cp\u003eMade as part of my Fellowship at the British School at Rome. Taking inspiration from the fragmentation and layering of Roman antiquities.\u003c\/p\u003e","brand":"Eva Sajovic","offers":[{"title":"Default Title","offer_id":56259369664894,"sku":"HC365","price":5400.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/HC365_Eva_Sajovic_They_Them_Caryatid_Re-Framed_2025_Sculpture__Knitted_on_wooden_frame_154_x_100_x50_4586b265-1bdd-4485-950a-05da34b658b6.jpg?v=1758790278"},{"product_id":"consolation-and-depravity-03","title":"Consolation and Depravity 03","description":"\u003cp\u003eThroughout Camerno's work the chandelier symbolizes a society frozen in a moment of hypnotically beautiful collapse. Begun in 2021 Camerno's series Consolation and Depravity was inspired by Émile Zola's L'Assommoire and the heroine's tragic decent into depravity. The series depicts a chandelier from The Columbia Hotel in London, which he documented during a residency in 2020 in collaboration with Roman Road gallery. The first two paintings were exhibited as a diptych at Nicola Pedana Gallery in the group show Hyperbole in 2021. He completed the final painting in the trilogy in 2025.\u003c\/p\u003e","brand":"Tommy Camerno","offers":[{"title":"Default Title","offer_id":56259376447870,"sku":"HC598","price":3600.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/HC598-Tommy-Camerno-ConsolationandDepravity03_31f92da0-3916-4464-bc31-976925eaed6d.jpg?v=1759498889"},{"product_id":"interstice","title":"Interstice","description":"\u003cp\u003eDeveloped collaboratively with Jamie Seechurn (@thameswater, https:\/\/thameswater.studio) alongside the video installation On Data, As Dust-yet existing as a standalone work-Interstice is a welded steel structure that houses a screen and motherboard, threaded within a network of wires. It functions as a reflexive memory system: observing the viewer and feeding that experience back into itself. The work becomes a looped mechanism of perception and erasure-a window through which memory is formed, only to be forgotten.\u003c\/p\u003e","brand":"Ciana Taylor","offers":[{"title":"Default Title","offer_id":56259380969854,"sku":"HC828","price":2400.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/HC828-Ciana-Taylor-Interstice_2.jpg?v=1758790545"},{"product_id":"10th-station-of-the-cross-crucifixion","title":"10th Station of the Cross: Crucifixion","description":"\u003cp\u003e10th Station of the Cross: Crucifixion explores the colonial influence of Christian art, focusing on the political instrumentalisation of its homoerotic content by humanising such images in public spaces, reclaiming street billboards to create new, sexually and racially inclusive devotional images that foreground queer bodies and desires within the framework of sexual dissidence.\u003c\/p\u003e","brand":"Cheo Gonzalez","offers":[{"title":"Default Title","offer_id":56260730782078,"sku":"HC204","price":4800.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/HC204-Cheo-Gonzalez-10thStationoftheCross_Crucifixion_1.jpg?v=1758828208"},{"product_id":"black-leather","title":"Black Leather","description":"\u003cp\u003eBlack Leather, 2023, is a deep delve into materiality. My paintings are often an immersive interaction between texture, sensation and human connection and this painting is a small study of the essence of my practice. With reference to fetish, softness and drapery painting of the Renaissance, Black Leather is also about pushing the idea of tactility. It’s a painting that stirs a childlike impulse to reach out and touch it. Yet there is a tension, especially when placed into a gallery setting, between desire and restraint when we are with an object that must be merely observed and not handled.\u003c\/p\u003e","brand":"Evie Jacobs","offers":[{"title":"Default Title","offer_id":56260730978686,"sku":"HC253","price":1800.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/HC253_-_Evie_-_Jacobs_-_Black_Leather.png?v=1758825808"},{"product_id":"exo-03","title":"EXO 03","description":"\u003cp\u003eEXO is a structure of thought, it mirrors and reinforces your own image. I wonder about the liminal space between what we do and what we are, the space between culture and nature, the self and the world, how they feed on each other and coexist. Global belief systems and ideologies, or one’s personal moral code and habits. It’s all the same. Your habits are religion. Your discipline is rituals backed by ideologies. This is how you deal with the world, this is the system you employ to get closer to your vision, and ultimately, this is your vision.\u003c\/p\u003e","brand":"Amos Nappo","offers":[{"title":"Default Title","offer_id":56260732158334,"sku":"HC755","price":7800.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/HC755_-_Amos_-_Nappo_-_EXO_03_1.jpg?v=1758790637"},{"product_id":"sogna-sempre","title":"Sogna Sempre","description":"\u003cp\u003eYears ago I replaced film with digital technology, I missed my large format camera.\u003cbr\u003eI missed the weight of it, I missed the physical act of loading the dark slides, seeing the image projected upside down on the ground glass while working under the black cloth. The performance fully engaged my senses in the act of creating.\u003cbr\u003e Since the lockdown of 2020 I started working with direct positive papers which I expose directly inside my camera. I process the papers using a developing mixture of instant coffee, cleaning soda and vitamin C.\u003cbr\u003eThe unpredictable results due to fragility of the papers, paper's sensitivity to light and variability of the home made developer make this technique incredibly exciting as well as frustrating. But, all these emotions arrive at a wonder, inviting me to embrace and explore the unplanned marks and faults. These unplanned imperfections create ethereal and otherworldly atmosphere, ambiguity and unease which invites interpretation.\u003cbr\u003eI now take my large format camera with me when ever I create my self-portraits on location and I mostly develop my paper negatives on site, often outside late at night, connecting the work fully to the environment it's been exposed in.\u003c\/p\u003e","brand":"Lenka Rayn H.","offers":[{"title":"Default Title","offer_id":56910287700350,"sku":"HC1205","price":600.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-10_at_15.34.17.png?v=1770737665"},{"product_id":"penance","title":"Penance","description":"\u003cp\u003ePenance serves as an act of repentance. It mourns humanity's arrival at a technological event horizon. We are at a point where our digital lives increasingly separate us not only from ourselves, but from our intrinsic connection to the natural world. Creating the work was a slow, physically demanding act of fabric tearing, hand-weaving, and building a custom-made loom. This ritualistic labour serves as a direct confrontation to the mind-numbing scrolling on our phone screens and the ubiquity of digital art.\u003cbr\u003ePenance frames this process as an intentional turning away from the hyper digital. In a world that values speed and quantification, this piece speaks to the memory held in worn materials, the politics of labour, and the profound weight of time. It functions as a solemn, physical archive of human effort and entropy, demanding a slow, bodily engagement that directly counters the detached, fleeting interactions of our online lives.\u003c\/p\u003e","brand":"victoria helena","offers":[{"title":"Default Title","offer_id":57187138699646,"sku":"HC1104","price":9000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-03-30_at_17.07.42.png?v=1774886870"},{"product_id":"weve-lost-our-way","title":"We've Lost Our Way","description":"\u003cp\u003eThe constellation of stars, mapped out in snake bones. \u003cbr\u003e \u003cbr\u003eThis piece tells the story of evolution, from the Big Bang to the formation of highly sophisticated biological structures - vertebrae. The advancement involved billions of physical connections; atoms bumping, molecules colliding. And a series of mistakes, or accidents. Survival of the fittest consists of taking the odd one out with an inborn benefit. \u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eThe Lost Way in the title references presumed progress through digital systems, A.I. and processes that deny physical contact and error.\u003cbr\u003eFor evolution to persist, we require contact and imperfection, including errors.\u003c\/p\u003e","brand":"Hannah Scott","offers":[{"title":"Default Title","offer_id":57194267476350,"sku":"HC1052","price":4500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-03-31_at_22.37.47.png?v=1774993076"},{"product_id":"belated-arrivals","title":"Belated Arrivals","description":"\u003cp\u003eMy practice deals with maintenance as a condition that both stabilises and erodes its object, a labour that insists on sustaining a system, assumes its continuity even when it shows signs of failure. Simultaneously an act of care and of attrition. I work with its\u003cbr\u003eresidue, reconstituted into fibre and woven onto spatial looms that resist permanence, existing as membranes between body and architecture. The work holds attention on what it costs, materially and humanly, to keep postponing collapse of inherited systems\u003cbr\u003eeven after they lose their capacity to function — maintenance as involuntary authorship, belated resistance through material transformation.\u003c\/p\u003e","brand":"Sergei Zinchuk","offers":[{"title":"Default Title","offer_id":57246130307454,"sku":"HC1432","price":2280.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-04-14_at_13.08.17.png?v=1776168506"},{"product_id":"alltradesprobuildingandmaintenance","title":"Alltrade(sprobuilding)andma(i)n(tenance)","description":"\u003cp\u003eA sliding door is built to regulate access: it opens, slides, and permits entry. Here it becomes a threshold between longing and fantasy, carrying the weight of disclosure. Yuming Lu repurposes a salvaged 2000s Volkswagen Transporter sliding door through a process of rigorous subtraction. By peeling away commercial vinyl, the artist excavates the word “Trade” (a term rooted in Polari, carrying the nostalgia of old-school queer code). What remains reads like a clipped promise, glimpsed on a late-night hookup profile page. The final “OOF” registers as visceral satisfaction, hovering at the edge of physical impact.\u003c\/p\u003e","brand":"Yuming Lu","offers":[{"title":"Default Title","offer_id":57294376796542,"sku":"HC1294","price":2900.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot2026-04-21at16.11.35.png?v=1776784302"},{"product_id":"patch-1545","title":"Patch 1545","description":"\u003cp class=\"p1\"\u003eThis work considers gesture as a transhistorical carrier of affect, examining how bodily language traverses temporal and technological thresholds to enable forms of recognition beyond immediate presence. Through the cyanotype process, a found digital image is subjected to duration, chemical transformation, and partial erasure, displacing contemporary visual standardisation into a time-based photographic condition. The gesture no longer functions as symbol or expression, but as residue: a material trace through which affective continuity, recognition, and relational intensity persist across historical distance.\u003c\/p\u003e","brand":"Junshu Gu","offers":[{"title":"Default Title","offer_id":57298273436030,"sku":"HC1344","price":800.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot2026-04-22at17.21.32.png?v=1776874909"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/collections\/IMG_8848_4385e1de-87f7-4908-a1f6-c7377cbc7a57.jpg?v=1779889525","url":"https:\/\/hyphacurates.com\/collections\/lewis-dalton-gilbert.oembed","provider":"Hypha Curates","version":"1.0","type":"link"}