{"title":"Dylan Morris","description":"\u003cp\u003eDylan Morris (1997) studied Ba (Hons) Fine Art at Camberwell College of Arts (UAL), 2022-25, graduating with 1st Class Honours. Exhibitions include 'The Transfiguration of Matter, Group Exhibition, Hypha Studios (2025), Arcadia, Group Exhibition, Greatorex Street (2024), Cloud Converter, Solo Exhibition, The Bath House (2025), Mudpuppy, Solo Exhibition, Bermondsey\u003cbr\u003eProject Space (2022). Morris has been featured in Frontrunner Magazine (2024) and with Saatchi Art Rising Stars (2023).\u003c\/p\u003e","products":[{"product_id":"picture-perfect-brain-rot-generator","title":"Picture Perfect Brain Rot Generator","description":"\u003cp\u003eA continuation in a series of found object assemblages, arranged like digital mosaics, incorporating mostly cubic and rectangular objects to achieve a pixelated impression. The objects, images and final image are meant to evoke a sense of nostalgia for an earlier, simpler time in digital and tech culture where technology's man made nature was more apparent and the purpose technology was clearer and better natured. Simultaneously, the accelerated, chaotic composition and variety of elements speaks to the overwhelming constancy of digital stimulation inherent in contemporary life.\u003c\/p\u003e","brand":"Dylan Morris","offers":[{"title":"Default Title","offer_id":57186786640254,"sku":null,"price":1800.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-03-30_at_16.13.39.png?v=1774883626"},{"product_id":"squarepusher","title":"Squarepusher","description":"\u003cp\u003eMy work uses found cubic objects - keys, blocks, obsolete hardware and fragments of old media - to create a pixel-like mosaic that re-embodies the digital in physical form. While the structure echoes the precision of a screen, its material irregularities introduce approximation, texture and unpredictability – qualities that digital systems are designed to eliminate. The piece carries a sense of nostalgia for an earlier, more playful era of technology, when digital culture felt open, experimental and visibly handmade. By layering mismatched objects, embedded images and outdated components, the work generates a tactile form of information overload. Instead of delivering data cleanly, it invites viewers to navigate a field of ambiguity, broken references and associative meanings. These fragments resist the seamlessness of contemporary interfaces, revealing the 'noise' and emotional residue that digital logic typically conceals. The result is an analogue way of knowing: one rooted in attention, memory and the acceptance of uncertainty. By highlighting what cannot be neatly computed - sentiment, disorder, and the complexity of lived experience - the piece exposes gaps in the digital worldview and suggests a more elastic, human approach to understanding technology.\u003c\/p\u003e","brand":"Dylan Morris","offers":[{"title":"Default Title","offer_id":57195868914046,"sku":"HC993","price":4200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-04-01_at_11.09.47.png?v=1775038200"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/collections\/HC317_-_Gillian_Brent_-_portrait_image_fd69ea5b-ee4c-4df9-bc96-d2fc7974ace5.jpg?v=1769539477","url":"https:\/\/hyphacurates.com\/collections\/sara-marinangeli-copy.oembed","provider":"Hypha Curates","version":"1.0","type":"link"}