{"title":"Sarah Elson","description":"\u003cp\u003eSarah Elson is the curator of \u003ca rel=\"noopener\" title=\"Analogue Exhibition at Hypha HQ\" href=\"https:\/\/hyphastudios.com\/sarah-elson\/\" target=\"_blank\"\u003e'Analogue'\u003c\/a\u003e for Hypha Curates, \u003cmeta charset=\"utf-8\"\u003eselected from an open call of artworks to take place in Hypha Gallery HQ in Euston. Sarah is \u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003ethe Founder of Launch Pad, a London-based platform for art commissions and residencies. She is an active board member in a wide range of cultural institutions in the UK and the US. Sarah is also a Partner at Otherwise, a production company for artist-led, socially impactful films. 'Analogue', as part of Hypha Curates, operates on a circular model – 70% goes to the artists, 30% to supporting the charity to provide free studio and exhibition space.\u003c\/p\u003e","products":[{"product_id":"lashes","title":"Lashes","description":"\u003cp\u003eThis is part of a series called Dry Narratives: Using organic terry towel cotton and pigments like rose madder, indigo, and lapis lazuli, the work invites us to explore our relationship with symbols of luxury and to question the origins and histories of these materials. Pigments blend with iridescent powders, graphite, and mica particles, prompting us to reflect on the boundaries between kitsch, cosmetics, and decoration, and what associations we have with these elements.\u003c\/p\u003e","brand":"Gwennan Thomas","offers":[{"title":"Default Title","offer_id":56260731961726,"sku":"HC718","price":1350.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/HC718_GwennanThomas_Lashes_2024_Acrylic_pigmentsandMicaonTerryTowelCotton_26x52x3xm.jpg?v=1758790633"},{"product_id":"colombage","title":"Colombage","description":"\u003cp\u003eThis is part of a series called Dry Narratives: Using organic terry towel cotton and pigments like rose madder, indigo, and lapis lazuli, the work invites us to explore our relationship with symbols of luxury and to question the origins and histories of these materials. Pigments blend with iridescent powders, graphite, and mica particles, prompting us to reflect on the boundaries between kitsch, cosmetics, and decoration, and what associations we have with these elements.\u003c\/p\u003e","brand":"Gwennan Thomas","offers":[{"title":"Default Title","offer_id":56260731994494,"sku":"HC719","price":850.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/HC719-Gwennan-Thomas-Colombage_1.jpg?v=1758825573"},{"product_id":"imprint-i-ii-diptych","title":"Imprint I \u0026 II (diptych)","description":"\u003cp\u003eThese photographs are part of a larger exploration into our increased convergence and augmentation with biotechnology. Imprint highlights the duality of technological tools: not only adding to but also interfering with our understanding of the body. Using the extremely tactical slime, which has gained increased momentum as a relaxation tool during an age of extreme anxiety, I create imprints of my palms as small sculptures which I then photograph as artifacts.\u003c\/p\u003e\n\u003cp\u003eThese artworks are also available as individual pieces – please contact us for more information. \u003c\/p\u003e","brand":"Pauline Batista","offers":[{"title":"Default Title","offer_id":56907819254142,"sku":"HC1145","price":3800.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-09_at_21.01.00.png?v=1770670869"},{"product_id":"analog-again","title":"Analog Again","description":"\u003cp\u003eThis work emerges from physical encounter – paint scumbled and ink drawn across paper, graphite pressed to ground, layers built, lifted, sanded and revised. Nothing here is pixel-based or rendered by machine. Instead, each surface bears the trace of gesture, accident, breath, and improvisation, resulting in compositions that register movement, memory, and lived experience rather than fixed or virtual outcomes.\u003c\/p\u003e","brand":"Susan Ker-Seymer","offers":[{"title":"Default Title","offer_id":56907981717886,"sku":"HC1239","price":2000.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-09_at_21.20.31.png?v=1770672042"},{"product_id":"i-kept-it-safe","title":"I Kept It Safe","description":"\u003cp\u003e'I Kept it Safe' is responding to the disorientation of migration - the experience of building a life that is not home. When I moved to London, distance became something physical: a language to relearn, a culture to navigate. The work grew from intimate conversations with others who had also left home. The outcome is a layered textile piece inspired by comfort\/discomfort, softness\/weight, protection\/exposure. The analogue lies in the process and subject-matter. Stitching, screen-printing and tactile surfaces hold memory in ways the digital cannot.\u003c\/p\u003e","brand":"Vivien Carolyn Reinert","offers":[{"title":"Default Title","offer_id":56908016517502,"sku":"HC985","price":1750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-09_at_21.40.42.png?v=1770673251"},{"product_id":"subliminal-1","title":"Subliminal 1","description":"\u003cp\u003eA limited series of six glass wall sculptures framed in white acrylic with a back mount hole. Originally inspired by researching the concept of dark matter, invisible material that structures the universe, the series is a study of incomplete information: what we assume, what we imagine, what we know. Energised by the fluorescent yellow glow painted on the back, the mysterious form hovers in the frame. \u003c\/p\u003e","brand":"Lisa Pettibone","offers":[{"title":"Default Title","offer_id":56908105777534,"sku":"HC1260","price":800.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-09_at_22.09.27.png?v=1770675269"},{"product_id":"dark-waters","title":"Dark Waters","description":"\u003cp\u003e'Dark Waters' explores a state of loss and turmoil, the sea scape acting as a metaphor for the unknown. The painting depicts a raw, fin-like tongue, wading in an uncanny space that elides the internal and external. Thick, rough teeth or iceberg-like forms sit on the horizon, acting as a threshold to a bleeding sky. The raw figure appears both fragile and resilient, both victim and architect of its own fate. It floats on mottled waters, dotted in tiny red splatters - a subtle suggestion of violence. The playful aesthetic points at the tragicomic of living in a body. The tensions between beauty and horror are negotiated in an attempt to achieve a charged sensory encounter.\u003c\/p\u003e","brand":"Jennifer Nieuwland","offers":[{"title":"Default Title","offer_id":56908187238782,"sku":"HC1250","price":3200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-09_at_22.25.15.png?v=1770675925"},{"product_id":"shingle-street-no-56","title":"Shingle Street No.56","description":"\u003cp\u003e'Shingle Street No.56' is part of a wider series of works from the project Where Land Runs Out, which consists of a series of unique, partially fixed, camera-less cyanotypes on paper. The project reflects the changing and fragile landscape of Shingle Street beach in Suffolk, on the East coast of England which is subject to coastal erosion, sea level rises and is at risk of disappearing. \u003c\/p\u003e","brand":"Liz Harrington","offers":[{"title":"Default Title","offer_id":56908237046142,"sku":"HC1233","price":600.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-09_at_22.46.23.png?v=1770677191"},{"product_id":"traces-camera","title":"Traces - Camera","description":"\u003cp\u003e'Traces' is an exploration of materiality and memory through experimental ceramic and glass processes. Using a unique vacuum forming method to cast plaster, create delicate, skin-like distortions. The resulting impressions capture the subtle topographies of an object, preserving their physical traces within the plaster moulds.\u003cbr\u003eThrough compression, inversion and removal, the process exposes both absence and presence which transforms the material into a record of tension, pressure, and transformation.\u003cbr\u003eThe works become quiet fossils of the pre-digital age: objects whose technological usefulness and longevity are short-lived, yet which are immortalised in plaster. Their surfaces, soft and sensuous to the touch, play with ideas of fragility, desire, and the necessity of tactility, which invites us to reconnect with what feels essential in our physical lives.\u003c\/p\u003e","brand":"Zoe Scutts","offers":[{"title":"Default Title","offer_id":56908259000702,"sku":"HC1230","price":2000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-09_at_22.59.43.png?v=1770677992"},{"product_id":"back-of-the-sofa","title":"Down The Back Of The Sofa","description":"\u003cp\u003eArticulating the sensation of experiences has been a long running thread in my practice. First in response to dominance of conceptual work and now in response to the rise of the digital world view. This work refers to the feeling of finding your keys down the back of the sofa, where they have been for some time. \u003cbr\u003eI was curious to see if I could make sculptural works in the same way that I made live-performance, starting with a scenario or situation and an embodied feeling rather than a visual reference image.\u003c\/p\u003e","brand":"Alexis Zelda Stevens","offers":[{"title":"Default Title","offer_id":56908290425214,"sku":"HC1229","price":780.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-09_at_23.11.13.png?v=1770678680"},{"product_id":"some-days-i-hardly-recognise-the-person-i-have-become","title":"some days i hardly recognise the person i have become","description":"\u003cp\u003eThe sculpture is made from United clay covered in silicone. Each piece bridges the space between rock and flesh; inorganic abstract forms that undulate and glisten like body parts. \u003cbr\u003eWhen stacked together the forms begin to take on the form of a heavily degraded bust, as though excavated from the ruins of antiquity. The piece uses humanities natural tendency to see faces in inanimate objects to question the value of ancient artifacts and confront our own mortality and aging process.\u003c\/p\u003e","brand":"Jason (jota) Mucciolo","offers":[{"title":"Default Title","offer_id":56909314457982,"sku":"HC1012","price":1200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-10_at_11.29.42.png?v=1770722990"},{"product_id":"the-primal-thing","title":"The Primal Thing","description":"\u003cp\u003eThis painting is part of a series exploring figures in relation to domestic space and objects. Two figure\/objects share the canvas, yet neither is fully settled. One stands upright, rough and fleshy, its form marked by loose lines and scratchy gestures. The other resembles a table or pair of legs, topped with a lampshade, an everyday object rendered alien in its attempt at human guise. Estranged yet symbiotic, they blur the line between subject and object. 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Reflecting on uncertainty and nuance.\u003c\/p\u003e","brand":"Kirsi Pirhonen","offers":[{"title":"Default Title","offer_id":56910057210238,"sku":"HC1228","price":1000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-10_at_14.28.46.png?v=1771264869"},{"product_id":"book-of-two-ways","title":"Book Of Two Ways","description":"\u003cp\u003eThis is one of a series of mixed-media prints that was inspired by a trip to Egypt and the 'Book of Two Ways' - a map of the Underworld that provided a series of incantations the spirit could use to by-pass various dangers on its journey to the 'Land of the Reeds'. The two ways were either a land or water route taken by the spirit. These works are also an ode to the Rangitaiki River that bordered my childhood home - many places of burial were located on its banks.\u003c\/p\u003e","brand":"Neil Groom","offers":[{"title":"Default Title","offer_id":56910170390910,"sku":"HC1207","price":450.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-10_at_15.12.37.png?v=1770736371"},{"product_id":"sogna-sempre","title":"Sogna Sempre","description":"\u003cp\u003eYears ago I replaced film with digital technology, I missed my large format camera.\u003cbr\u003eI missed the weight of it, I missed the physical act of loading the dark slides, seeing the image projected upside down on the ground glass while working under the black cloth. The performance fully engaged my senses in the act of creating.\u003cbr\u003e Since the lockdown of 2020 I started working with direct positive papers which I expose directly inside my camera. I process the papers using a developing mixture of instant coffee, cleaning soda and vitamin C.\u003cbr\u003eThe unpredictable results due to fragility of the papers, paper's sensitivity to light and variability of the home made developer make this technique incredibly exciting as well as frustrating. But, all these emotions arrive at a wonder, inviting me to embrace and explore the unplanned marks and faults. These unplanned imperfections create ethereal and otherworldly atmosphere, ambiguity and unease which invites interpretation.\u003cbr\u003eI now take my large format camera with me when ever I create my self-portraits on location and I mostly develop my paper negatives on site, often outside late at night, connecting the work fully to the environment it's been exposed in.\u003c\/p\u003e","brand":"Lenka Rayn H.","offers":[{"title":"Default Title","offer_id":56910287700350,"sku":"HC1205","price":600.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-10_at_15.34.17.png?v=1770737665"},{"product_id":"listen-to-the-moon-falling-into-fearless-void","title":"Listen to the Moon Falling into Fearless Void","description":"\u003cp\u003eYears ago I replaced film with digital technology, I missed my large format camera.\u003cbr\u003eI missed the weight of it, I missed the physical act of loading the dark slides, seeing the image projected upside down on the ground glass while working under the black cloth. The performance fully engaged my senses in the act of creating.\u003cbr\u003e Since the lockdown of 2020 I started working with direct positive papers which I expose directly inside my camera. I process the papers using a developing mixture of instant coffee, cleaning soda and vitamin C.\u003cbr\u003eThe unpredictable results due to fragility of the papers, paper's sensitivity to light and variability of the home made developer make this technique incredibly exciting as well as frustrating. But, all these emotions arrive at a wonder, inviting me to embrace and explore the unplanned marks and faults. 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Five modular slides, laser-cut from metal and UV-printed with layered diagrams, archival fragments, invented glyphs, x-ray aesthetics, and cosmic maps, rotate around a central spine. Each panel behaves like a file that never quite stabilizes into information, a diagram that gestures toward understanding but ultimately drifts into ambiguity. Balancing on the boundary between sense and nonsense, the work materialises the provisional ways that technologies and knowledges afford collective orientation within historical time.\u003cbr\u003eCartography\/kinesthesia juxtaposes the mapping of the world's oceans in the European spatial imaginary with the wayfinding traditions of Oceania, which maps space not through mathematical coordinates but through proprioceptive capacities, close observation. \u003cbr\u003e\u003c\/p\u003e","brand":"Libby Hoffenberg","offers":[{"title":"Default Title","offer_id":56910364049790,"sku":"HC1204","price":2700.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-10_at_15.47.29.png?v=1770738457"},{"product_id":"portable-protest","title":"Portable Protest","description":"\u003cp\u003eThis installation uses cardboard, tape, and other everyday materials to build provisional architectural forms that resist the clean precision associated with digital systems. Its structures are handmade, uneven, and visibly constructed through trial, error, and adjustment, embracing the analogue qualities of approximation and imperfection. The work highlights how meaning can emerge from process rather than calculation: folds, joins, and makeshift supports reveal decisions that are tactile and situational, not optimized or standardized.\u003cbr\u003eBy using fragile, temporary materials to suggest architectural forms, the work points to the distance between idealized digital designs and the messy, hands-on reality of actually building something. Its mobility and modularity suggest that the forms can be reconfigured or adapted, emphasizing relational thinking over fixed outcomes. In these ways, the work positions the analogue not as outdated technology, but as a way of knowing that values uncertainty, nuance, and the embodied experience of building.\u003c\/p\u003e","brand":"Anusha Ramchand","offers":[{"title":"Default Title","offer_id":56914599870846,"sku":"HC1185","price":600.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-11_at_15.41.17.png?v=1770824485"},{"product_id":"50a-2430-9n-5a-0747-2w","title":"50°24'30.9\"N 5°07'47.2\"W","description":"\u003cp\u003e50°24'30.9\"N 5°07'47.2\"W is based on the interpretation and manipulation of raw sewage discharge data provided by Surfers Against Sewage to act as an expounding interface between science and art, presenting data as a symbolic visual form. The use of data in this context acts as a means of provocation, a shift from empirical representations of pragmatism into an emotive aesthetic form.\u003c\/p\u003e\n\u003cp\u003e50°24'30.9\"N 5°07'47.2\"W utilizes environmental data to drive an analogue kinetic sculptural form. 50°24'30.9\"N 5°07'47.2\"W blends creativity with information, translating abstract data into an accessible, emotive experience. By questioning conventional perspectives, the work fosters an awareness of humanity's intertwined relationship with the environment, prompting viewers to reflect on the impact of distant events. The sculpture bridges technology and artistic expression, encouraging dialogue about data's power in shaping perception and interaction with the natural world.\u003c\/p\u003e","brand":"Alexis Over-Papatzaneteas","offers":[{"title":"Default Title","offer_id":56914624348542,"sku":"HC1179","price":6500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-11_at_15.44.30.png?v=1770824678"},{"product_id":"tarmak","title":"Tarmak","description":"\u003cp\u003e'Tarmak' is a hybrid of an elegantly glazed ceramic water jar and a basketball. The title is borrowed from the brand on the rubber, a homophone of the tarmac and the street nature of the basketball game. The nuanced and ambiguous character of the work balancing bouncing with hardness, container with content, gloss with wearing, is at the heart of what analogue is. 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The irony of the container that cannot hold water is at the core of this humorous work aiming to lay bare the pointless aim of a seamless perfection in our digital age.\u003c\/p\u003e","brand":"Stathis Dimitriadis","offers":[{"title":"Default Title","offer_id":56915043713406,"sku":"HC1178","price":740.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-11_at_17.31.00.png?v=1771326610"},{"product_id":"the-turning","title":"The Turning","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe work is from the series called - 'The Openings'. Created in the wake of my mother's death, this series reflects on grief and the wound as a site of transformation. Returning to the fields near her home, I gathered common yarrow – a Slavic medicinal and magical plant traditionally used to heal cuts – to dye these silk works. 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The work connects queer, diasporic identity to material presence: nazar blue becomes a protective atmosphere, a threshold between vulnerability and resilience. Anchored in touch, intuition and embodied decision-making, the piece embraces the analogue, valuing approximation, sensitivity and the subtle shifts of a body in space. In resisting the fixed precision of digital systems, Soft Resistance proposes softness as a resilient mode of survival and a generative form of resistance.\u003c\/p\u003e","brand":"Sanna Namin","offers":[{"title":"Default Title","offer_id":56931690021246,"sku":"HC1064","price":2400.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-17_at_10.40.12.png?v=1771324856"},{"product_id":"flow-lilac-gold","title":"Flow, Lilac \u0026 Gold","description":"\u003cp\u003ePicking out the constructs of painting, I find the process of looking a transformative experience – it's not about looking at a picture or a narrative, but a physical experience. One feels the thought process made manifest by the materiality of the paint and the gesture of the artist.\u003cbr\u003eMy work doesn't offer a point of focus. The eye wanders around using peripheral vision, like a meditative dance where one is touching with one's eyes. Informed by an extensive daily drawing practice of geometric formation, found images and nature, lines forms and colours are deconstructed and recombined.\u003c\/p\u003e","brand":"Claude Vergez","offers":[{"title":"Default Title","offer_id":56931715154302,"sku":"HC1070","price":2000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-16_at_15.29.58.png?v=1771255807"},{"product_id":"belgium-by-night","title":"Belgium By Night","description":"\u003cp\u003eMy paintings and art practice were once described as being 'bombastically analogue'. By choosing to hand paint arrays of Casio watches is to render the digital through very analogue means. For me, the slow labour-intensive act of painting sits at the opposite end of the spectrum from the digital: which is linked with speed and efficiency. \u003cbr\u003e \u003cbr\u003e The title itself further adds to the analogue: I was attempting to cycle from Belgium to Greece. Time was against me and my perspectives were deeply distorted by sleep deprivation and awful weather. Painted in a limited palette of oil over a pink underpainting, the blue pops off the canvas and makes the illuminated screens feel like lit swimming pools – a reference to a swimming pool shop I rested besides in the city of Namur in the early hours.\u003c\/p\u003e","brand":"Michael Coppelov","offers":[{"title":"Default Title","offer_id":56931754082686,"sku":"HC1078","price":1680.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-16_at_15.34.39.png?v=1771256088"},{"product_id":"sleep","title":"Sleep","description":"\u003cp\u003eDrawing on the parallels between the processes of painting and photography and our relationship to the unstable photographic image, my work explores ideas around our fragile anchorage on the past and present, meaning and absence, fragmentation and erasure. I'm interested in the increasingly elusive notion of a whole, of seeing the complete picture, and the idea that we are only ever dealing with fragments, traces, disconnections and gaps, echoing the dislocated nature of recollection. \u003cbr\u003e'Sleep' is from a series of paintings based on fragmented and reassembled photographs of curtains and wallpaper, domestic coverings that act as form of veil or screening to what is beyond view. The 2 grainy and faded elements in the painting attempt to hold together, a collision of disparate parts glitching, connecting and disconnecting, glimpses of transformation or new meaning slipping in and out of view, what Blanchot described as 'unrevealed yet manifest'.\u003c\/p\u003e","brand":"Helen Kincaid","offers":[{"title":"Default Title","offer_id":56931776102782,"sku":"HC1107","price":2500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-16_at_15.42.32.png?v=1771256560"},{"product_id":"me-just-tryna-vibe","title":"me just tryna vibe","description":"\u003cp\u003eThe work is a hand-embroidered needlepoint piece translating internet-native imagery into a materially slow, tactile object. Produced through repetitive, labour-intensive stitching, the work foregrounds time, attention and physical making, resulting in an object that resists instant readability. While its visual language references digital culture, the finished piece operates as a quiet, analogue artefact, inviting slower modes of looking and interpretation. Framed with art glass and presented as a finished wall-based work, it is suitable for both physical exhibition and online presentation.\u003c\/p\u003e","brand":"Spike Dennis","offers":[{"title":"Default Title","offer_id":56931832758654,"sku":"HC1117","price":3450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-16_at_15.53.02.png?v=1771257197"},{"product_id":"i-and-me-wishing-for-we","title":"I and Me, Wishing for We","description":"\u003cp\u003e'I and Me, wishing for We' is a reinterpretation of a 16C Westerwald German decanting pitcher held in the V\u0026amp;A European Gallery carrying elaborate images of drunken revelry. \u003cbr\u003eIt is a contemporary retelling of modern day ritual and commensality. It is based on observations on the underground of people being isolated through their technology sound bubbles lost to each other; in a sense being 'Atomised'. The ritualisation of our relationship with technology is edging us further away from commensality although paradoxically we all crave a respite from loneliness. \u003cbr\u003e Drink in Britain is associated with commensality. Subverting a 16C decanting pitcher to carry a narrative of ritualised technology induced isolation is a twist that on first glance might hark back to traditions of centuries past. It appealed to my sensibility of using a traditional craft object as record of an unfolding global phenomenon that is transforming how humans choose to commune. \u003cbr\u003eThe making for 'I and Me, wishing for We' saw the use of digital technology (laser, rapid form) as auxiliary to the main analogue traditional craft processes of hand coiling, sprigging sgraffito, inlay, incise, throwing. The piece sits on a handcrafted disc of Cherry wood.\u003c\/p\u003e","brand":"Srabani Ghosh","offers":[{"title":"Default Title","offer_id":56931874767230,"sku":"HC1135","price":3600.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-16_at_16.01.46.png?v=1771257714"},{"product_id":"stane-duet","title":"Stane Duet","description":"\u003cp\u003eStane Duet is composed of two vessels designed in harmonic balance, with one form resting gently inside the other. Their interlocking shapes echo the rhythms of the wider Stane series, named after the Scots word for stone and inspired by the rugged coastline and weathered stone walls of Scotland. Both inner surfaces carry textured impressions made with Scottish sand, grounding the work in the coastal landscape that inspired the Stane series. The vessels may be displayed as a single, nested composition or as two separate pieces, allowing their dialogue of form, balance, and place to unfold in multiple ways.\u003c\/p\u003e","brand":"Claudia Barreira","offers":[{"title":"Default Title","offer_id":56932149690750,"sku":"HC1136","price":625.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-16_at_17.00.15.png?v=1771261227"},{"product_id":"strange-fire","title":"Strange Fire","description":"\u003cp\u003e'Strange Fire (2025)' is a small-scale work on maple-veneered MDF, combining oil pastel, pen and pencil to build a layered, hand-worked image where grain, pressure and revision remain visible. The piece is professionally presented in a stained wooden box frame and is intended for close viewing.\u003c\/p\u003e\n\u003cp\u003eAt 15 x 20cm (unframed) it asks for slow, close looking, where nuance lives in smudges and erasures. In that gap, the digital promise of precision feels fragile, and ambiguity becomes a generative space.\u003c\/p\u003e","brand":"William Lowry","offers":[{"title":"Default Title","offer_id":56932997136766,"sku":"HC1171","price":1650.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-16_at_17.12.19.png?v=1771261948"},{"product_id":"the-instruction-manual","title":"The Instruction Manual","description":"\u003cp\u003e'The Instruction Manual' (2024) stages a tension between instruction and lived experience. A figure reads from a physical book, an object that promises clarity and procedure, yet the image refuses certainty. Acrylic, pencil, pen and chalk are layered on board so the surface becomes a site of revision: rubbed back, overwritten, and re-asserted.\u003c\/p\u003e\n\u003cp\u003eThe manual becomes less a set of steps than a rehearsal, where meaning arrives through approximation and attention rather than fixed output. The scene suggests the limits of systems that claim total legibility. Even when instructions exist, interpretation remains bodily and fallible, shaped by fatigue, desire, and misreading. The work uses analogue mark-making to keep that gap open, between what can be specified and what can only be sensed or inferred.\u003c\/p\u003e","brand":"William Lowry","offers":[{"title":"Default Title","offer_id":56933038326142,"sku":"HC1172","price":1800.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-16_at_17.18.36.png?v=1771262325"},{"product_id":"cirque-01","title":"Cirque\/01","description":"\u003cp\u003eCirque extends my Penmate drawing series into a field of hand-twisted hooks, where the pattern moves gently in and out of focus. The labour of twisting each hook introduces small shifts that resist digital precision, revealing an embodied logic rooted in touch and attentive making. As the eye navigates changing densities and rhythmic variations, the work highlights how analogue processes hold space for uncertainty and nuanced perception. By foregrounding these graded transitions, the piece exposes what digital systems overlook: the generative potential of approximation and the complexity within seemingly simple structures.\u003cbr\u003e\u003c\/p\u003e","brand":"Zara Ramsay","offers":[{"title":"Default Title","offer_id":56933077516670,"sku":"HC1019","price":1400.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-16_at_17.28.32.png?v=1771262922"},{"product_id":"longhand-02","title":"Longhand\/02","description":"\u003cp\u003eLonghand extends my Penmate drawing series into three dimensions, translating a hand-drawn line into a field of hand-bent rods. Each rod shows the small changes that come from bending it by hand, revealing the work of the body rather than the precision of a machine. The fineness of the rods and the subtle colour applied to some create an optical instability, making the pattern drift in and out of focus as viewers move. This perceptual flicker resists fixed, singular readings and instead invites sustained attention, gentle recalibration and a slower, more nuanced way of looking.\u003c\/p\u003e","brand":"Zara Ramsay","offers":[{"title":"Default Title","offer_id":56933152063870,"sku":"HC1017","price":1800.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Analogue-install-49.jpg?v=1772098650"},{"product_id":"still-moving","title":"Still Moving","description":"\u003cp\u003e'Still Moving' (2024) is a Sculptural sketchbook. A series of sleep scans translated onto wood scraps, concrete and cardboard by various analogue processes in order to achieve a material language of sleep: Heavy, Broken, Light, Deep, Shallow. The cluster of quasi-abstract figures tells the body's story of one anxious night of sleep on the eve of a 20-year immigration process. The use of scrap objects and building materials speaks directly to the theme of the blemish and the texture of the analogue, it looks to make a terrain out of the juxtaposition of bodies and materials. Still Moving is a topological study of sleep space, exploring exhaustion as a canvas for transformative experiences.\u003c\/p\u003e","brand":"Owen Planchart","offers":[{"title":"Default Title","offer_id":56933224186238,"sku":"HC1170","price":1200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/Screenshot_2026-02-16_at_17.49.24.png?v=1771264175"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/collections\/Screenshot_2026-02-16_at_13.44.21.png?v=1771249486","url":"https:\/\/hyphacurates.com\/collections\/sarah-elson.oembed","provider":"Hypha Curates","version":"1.0","type":"link"}