{"product_id":"page-b-bookmarks-as-memories-of-the-world-i-am-always-one-line-behind","title":"Page B:Bookmarks as memories of the world, I am always one line behind.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Bookmarks as Memories of the World, I Am Always One Line Behind\" is the title of Chapter II of Alson Zhao’s ongoing project, \"The World’s Largest Book\", which begins with a series of seven etchings. The works draw an unlikely dialogue between Japanese director Shuji Terayama’s 1977 short film \"Reading Machine\" and the Kuthodaw Pagoda, a Buddhist architectural complex built in 1868 in Mandalay, Burma. The seven prints unfold as seven chapters of a book, weaving together the tangled conditions behind the meaning and making of the pagoda, the enigma of Terayama’s mind, the materiality of printmaking, and the cyclicality of history.\u003c\/span\u003e\u003c\/p\u003e","brand":"Alson Zhao","offers":[{"title":"Default Title","offer_id":58410858971518,"sku":null,"price":837.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0911\/6545\/8814\/files\/PageB.jpg?v=1794053875","url":"https:\/\/hyphacurates.com\/products\/page-b-bookmarks-as-memories-of-the-world-i-am-always-one-line-behind","provider":"Hypha Curates","version":"1.0","type":"link"}